Furioso Starting Logan Office Project

Giorgio Furioso plans to begin construction on his 14th Street office project on December 10th, the developer announced this morning.   The 42,000 s.f. office building will take the place of the empty lot at 1525 14th Street, NW, wrapped around the adjacent building Furioso already owns that holds Posto.

The Logan Circle-based Furioso Development has worked for years on the development, known now as 1525 Fourteen, but after weighing various options for the site concluded that the underserved office market was the most viable for the site.

Furioso told DCMud he sees the future building as an anchor of 24/7 neighborhood activity, bringing more feet to 14th Street during day to balance the throngs that populate the nighttime hotspot.

Furioso said several office tenants are already lined up, but no announcements have been made yet on the 3,600 square feet of street-level retail.  The project was nearly ready for construction this summer, with only "last minute" issues hindering construction.  The design for the six-story LEED gold building, which includes a green roof, geothermal heating, and solar panels, is by architecture firm Eric Colbert and Associates.  Two underground floors include 28-small-car parking spaces, accessible by car elevator, and a charging station for hybrids.  The building also includes a bicycle room complete with showers.

Washington D.C. real estate development news

Abdo Envisions Condos for Empty Rhode Island Avenue Lot

You could call it a vindication. Or you could simply say the market finally changed.

Either way, Jim Abdo says he’s got revamped plans for the property he owns at 1427 and 1429 Rhode Island Avenue NW, the only vacant lot on that block and one of the few left in the neighborhood. The Logan Circle-based developer had been planning on erecting a 70-something unit apartment building there, but ran into opposition from neighbors due to its size. As of this past February, he had backed off from the project entirely.

The lot as it currently appears

Now he says he’s got new plans for the lot, which backs up to the P Street Whole Foods Market. Due to a steadily improving housing market and the increased availability of financing for condo construction, Abdo has returned to the plan he says he’d initially envisioned for the property before the economy tanked: a high-end condo building containing just a few units.

“My vision has always been a boutique building with a small number of units,” explained Abdo. “And every day and month I wait, the market comes back in my favor to do what I want. We think it’s a win-win for everyone, and it’s what the neighborhood will embrace.”

Abdo didn’t provide many details about what he has in mind, as the project hasn’t gone far beyond the basic concept stage. But he says he’s imagining a 90-foot high building that contains nine or ten units, each taking up an entire floor and potentially reached by elevators that open directly into the units.

That’s a big difference from the property’s previous iteration, which was an eight-story rental building conceived of at a time when condo financing was almost nonexistent. Although the design earned approvals from the Historic Preservation Review Board, neighbors objected to its density and Abdo eventually withdrew his plans.

The lot with its prior structures, which were knocked down in 2007

“I said, ‘Let’s revisit this thing,’” he explained.

Nothing’s happening anytime soon. The developer, who bought the property in 2001, says the company probably won’t start moving on the project until 2014. At that point, in-house architects will begin putting together design ideas and he’ll reach out to HPRB and the community.

It’s not like the firm doesn’t have enough going on as it is. Besides projects in Brookland and Arlington, Abdo is also planning to develop a spot a few dozen feet to the east: 1400 14th Street, a corner lot at the intersection of 14th Street and Rhode Island Avenue that currently includes a Caribou Coffee and Abdo’s own office (and next to the DCMud office). That project—a six-story building to include ground floor retail, one floor of offices, and some 30 residences—received HPRB approval a couple of months ago. Groundbreaking is set for next year.

That turns the block of Rhode Island between 14th and 15th streets a mini Abdo-ville. The developer owns another property on the block, and developed the two condo buildings framing the empty lot—the Zenith and the Willison—more than a decade ago.

Washington, D.C., real estate development news

PN Hoffman's "Northern Exchange" Opens on 14th

"Northern Exchange", Rendering courtesy PN Hoffman

This weekend, the former switching station for the Chesapeake & Potomac Telephone Company at 14th and R Streets, NW, built in 1903, re-opened as "The Northern Exchange," a 36-unit "loft-style" condo delivered by PN Hoffman.  Eric Colbert and Associates are behind the design, which converts the deep building with two sides of windows into units averaging about 650 square feet.  Construction is not yet complete - some units on the third, fourth, and fifth floors are still under construction, but some lower units were on view this weekend.

The newly-converted condominium building is smaller than most new loft buildings, but the design focuses on efficient use of space, which lies at the doorstep of the thriving 14th Street corridor.  While square footage is on the smaller side, ceiling height and window sizes benefit from the building's original design.  Some units feature windows over nine feet in height.

"Northern Exchange" model unit

The smallest units are 550 s.f. and feature raised living areas above the kitchen accessed by a ship's ladder.   Because of the historic use of space - the third floor housed telephone lines - some units feature 16-foot ceilings.  Developers have left original terra cotta ceilings on the second and third floors and the fourth and fifth floors feature exposed concrete ceilings. 

Some of the units slated for completion within the next three weeks still have the original heart-of-pine flooring, some of it one inch thick.  Bao Vuong, PN Hoffman's development manager on the project, said condos feature original exposed brick and some of the original steel columns.

"We've painted them with intumescent paint to try to highlight them," Vuong told DCMud. Painting the steel columns also involved fire-protecting them, not a cheap process.  "It's much cheaper to cover them up, but since they add so much character we have tried to do that," he said.  He said the units would be ready for move-in during the first quarter of next year.

Vastu, a 14th Street a interior design firm and modern furnishing dealer, worked to prepare the model units for the recent open house. "Vastu and PN Hoffman have been fortunate to work together on numerous projects over the years," Jason Claire, co-owner of Vastu, told DCmud. He said the project was also unique in that the condos were built in a historic building, unlike most other condos in the neighborhood, which are predominantly new construction.  "For the models, the look is warm, modern with a nod to a rustic industrial aesthetic picking up on the industrial architecture of the building," Claire said.

Perseus Building Office Project on 14th Street

1728 14th Street, Image courtesy Bonstra Haresign

The stoic facade of the Granger building at 1728 14th Street will be getting an overhaul, now that developer Perseus Realty has closed on the purchase.  The developer sealed the acquisition of the property - located between R and S Streets - in mid-August, John Clarkson of Perseus told DCMud on Thursday; the DC Property Sales Database shows the building sold for $4.8 million. Perseus and Ogden CAP Properties are partners in the joint venture.  Also on board is Bonstra Haresign Architects, and Andrew Poncher of Streetsense for retail leasing.  The firm is behind a number of other 14th street projects including the AME Zion church renovation and lower-level addition, the Q14 Condominiums building, as well as Studio Theater and The Aston at 14th and R, all within a few blocks down the street.

Current Granger Warehouse Facade, Image Courtesy Bill Bonstra

Plans for the site include the adaptive re-use of the warehouse building, built in 1988, and the new design includes four floors with 28,000 square feet of retail and office space.  Of the many developments slated for 14th Street, this is one of the few office concepts (Furioso's project being the other).  Clarkson, who provided an up-to-date rendering to DCMud on Thursday, said Perseus expects to begin construction on the project in February 2013 with a 12-month construction time.  The Advisory Neighborhood Commission (ANC) 2F wrote a letter in full support of the project, which also received preliminary approval from the DC Historic Preservation Review Board (HPRB) in July.

Like 1728, most of Bonstra Haresign's other 14th Street projects have also been located in the historic district, Bonstra Haresign managing partner Bill Bonstra told DCMud.  "What is really important is understanding the context and what I call the DNA of the site."  The site, 60 feet in width, likely once housed three townhouses, Bonstra said.  "That understanding allowed us to come to terms with the appropriateness of the architecture."

The project also sits in the context of a rich history of commercial buildings on 14th Street, many of them built in the Nineteen-teens and Twenties as automotive showrooms.  Back then, 14th Street was a trolley corridor and a place to window shop. "There was a tradition of retail and commercial buildings and we looked at that tradition as a model."

The design pays homage to the street's architectural tradition with a formal facade with strong center and side doors and a masonry structure, yet also incorporates generous amounts of glass, color, and contemporary planes. Design for the masonry incorporates striping, detail, setbacks, and reveals.  "What we set out to do was respect that tradition of commercial buildings on the street but also make it a building of its time," Bonstra said.  "We believe that the front elevation of this building will be a nice complement to historic buildings, but it will be a part of our time architecturally."

Bonstra said the building will contribute to the true mixed-use history of 14th Street, ultimately providing more of what the street lacks: neighborhood businesses and offices.  The property also includes two historic townhouses north of the Granger warehouse building, but Perseus doesn't have plans to alter them at this time, Clarkson said, though those townhouses might get some interior improvements in the coming year.

Washington D.C. real estate development news

The Mission in Logan Gets Extension

The former automobile show room and current home of Central Union Mission in the 14th Street Historic District is one step closer to a long-awaited redevelopment following a Historic Preservation Review Board meeting on Thursday. 

With limited discussion, the board voted to accept staff recommendations granting a two-year extension to the project on the southeast corner of 14th and R Streets, accepting refinements made in response to the Board's 2006 direction, and restating that it is consistent with the Preservation Act.
Developer Jeffrey Schonberger (Alturas LLC) has been planning to renovate and expand properties at 1625 - 1631 14th Ave., NW since 2006, pending relocation of the homeless shelter that now owns and operates the building. The current structure - a 5-story former Studebaker show room built in 1922 and three, 3-story brick row homes originally built in the late 1800's but remodeled after the turn of the century for commercial uses - will involve restoration and new construction.
According to the Historic Preservation Office staff report prepared for Thursday's meeting, the redevelopment will include restoring the four buildings' facades to their early-20th-century appearance, building a seven-story addition behind the rowhouses and adding underground parking in what used to be the showroom basement. The double-height auto showroom would also be restored and the buildings appearance maintained to the greatest extent possible.

The ground floor of the project will be designated for retail, said Eric Colbert of Eric Colbert & Associates, the architect for the project, predicting at least one restaurant in the mix. Blake Dickson Real Estate will be marketing the retail space.  The upper floors of the row homes and the additional rear structure will form residential units including some two-story units, Colbert said. The Mission building was built by the Wardman Construction Company.

Delays primarily related to relocating Central Union Mission, once slated for Georgia Avenue but now scheduled to go to the Gales School, have hindered development in the past.

Colbert and Schonberger said after the meeting that construction documents would be filed next month and that they would be ready to break ground on the project in 7 to 12 months.

Washington D.C. real estate and retail news

Furioso's "1525 Fourteen" on 14th St. Close to Breaking Ground

An office building in the midst of 14th Street's many condos will soon bring the busy entertainment corridor a little closer to true mixed use development.  That is, when Furioso Development breaks ground on "1525 Fourteen", a mixed-use building slated to break ground this fall.  That moment is nigh, according to Giorgio Furioso. He puts the time until groundbreaking at eight weeks.

"We are moments away from breaking ground," Furioso told DCMud, "and we are doing some preliminary stuff to cross all our Ts and Is."  Developer Giorgio Furioso sees the future 42,000 s.f. building - in the planning stage for nearly a decade - as an anchor of 24/7 neighborhood vitality, bringing some daytime activity to a night-time destination.

Some office tenants for the building are ready to move in, Furioso said, but there are no decisions about a tenant for the 3,600 square feet of street-level retail.  That announcement could come in the next few months, Furioso told DCMud.

Original 2004-approved scheme

"We could have gone with one large tenant but we chose not to do that so that it is a collection of different people," he said.  Furioso said he believes this mix of different smaller tenants will contribute to neighborhood vitality. "The building's whole attitude is small, green and neighborhood," Furioso said, "so you are trying to represent in that collection of tenants people the neighborhood would appreciate."

The project has already gained the necessary approvals and financing. The Historic Preservation Review Board (HPRB) approved the in-fill project in 2010.  It was originally planned as a seven-story, cubist-inspired residential building in 2004, but Furioso changed direction.

The design for the six-story LEED gold building, which includes a green roof, geothermal heating, and solar panels, is by architecture firm Eric Colbert and Associates.  Two underground floors include 28-small-car parking spaces, accessible by car elevator only, and a charging station for hybrid cars.  The building also includes a bicycle room complete with showers.

The Mohawk artists lofts, the condo building Church Place, renovation of the historic Roosevelt, and Solo Piazza residential building on 13th Street are all past projects of Furioso.  Furioso, who is stately in favor of a quality-over-quantity development model, only builds one development at a time.
"I think you can grow by being better rather than being bigger - sort of the Lorax idea," Fuioso, who was born in Italy and holds an MFA, told DCMud. "Sometimes the idea of success is measured by how many projects you do - whether you're the architect, the developer, the builder - rather than saying 'this project contributes to this neighborhood the way other projects don't.'  It's a different approach to working and living."

Washington D.C. real estate development news

Today in Pictures - JBG's District Apartments

JBG announced in January of 2011 that it was moving forward on District Condos, which later became District Apartments, with new partner Grosvenor.  The pair started work a few weeks later on their 125-unit, Shalom Baranes designed building, on Logan Circle's trendy 14th Street.

18 months on, the project is nearing completion.  JBG incorporated the former AIDS clinic at the southern end of the lot for additional retail that will wrap around the corner of S and 14th Streets. The Chevy Chase developer teamed with Toronto-based Cecconi Simone Inc. for interior design, in a building that will have smallish, mostly 1-bedroom apartments.  Occupancy is expected to begin around the end of the year.

Washington D.C. real estate development news.  Photos by Rey Lopez

Today in Pictures - Jefferson at 14W

 

Back in December of 2010, Perseus Realty and Jefferson Apartment Groups (JAG), an Akridge affiliate, broke ground on 14W, replacing the former Anthony Bowen YMCA with apartments and a new YMCA.  The project had languished for years before finally getting the cash infusion from JAG that finally got it going (despite a faux-groundbreaking), and is now reaching its final stage of construction.

The HOK and Dorsky Hodgson & Partners-designed project will feature 231 rental apartments, a brand new, state-of-the-art 44,000 s.f. YMCA, and over 12,000 s.f. of ground-floor retail. The new gym and apartments will deliver later this year.

Washington D.C. real estate development news

Vacant Lot In 14th Street Corridor to Be Mixed-Use Building

The Zipcar lot at the corner of 14th and Corcoran is likely to be replaced by a seven-story mixed-use development, as the concept design was recently recommended for HPRB approval. The Hickok Cole Architects-designed building at 1617 14th Street, NW would feature ground-floor retail and six stories of dwellings on the site, which was formerly an Amoco gas station. The proposed building would be bookended by "a row of early 20th century commercial buildings" on the north and, to the east on Corcoran Street, "a coordinated row of Italianate rowhouses." On the opposite corner is the historic and Romanesque John Wesley AME church (pictured below), and right next to it is the Central Union Mission building.

According to the HPRB report, the design calls for a "five-story masonry block fronting on 14th Street," with another slightly smaller four-story masonry block facing on Corcoran. Each block would feature "punched windows deeply set within the masonry walls." Along 14th Street, plans call for "projecting storefronts," as well as a "vertical projection consisting of canted glass bay windows extending to the top of the fifth story." The six and seventh crowning stories would be built of metal and glass, with each floor offset with the other, and "wall planes broken between apartment units."  According to the report, "design intent is to provide a contrast between the more formal, disciplined masonry blocks below with the more dynamic canted glazed upper stories."  Developers are seeking zoning variances to decrease the parking spaces requirement, and to increase the building's height to allow for the elevator overrun.

The staff evaluation of the concept design found that "the design has been developed in recognition of its site, influenced by the large auto showrooms along 14th Street (all long since replaced), the smaller-scaled rowhouses on Corcoran, and its location in the Uptown Arts District. The reports finds the height and masonry "compatible and complementary" with the church and the mission, with the building's stepdown and smaller windows on the Corcoran side preserving a successful relation to the adjacent rowhouses. The report goes on to heap praise upon the "exemplary" juxtaposed design of the top floors; whereas most buildings in the area are "begrudgingly recessed simply in an effort to squeeze additional space while trying to make the building appear smaller," this building's "setbacks and unusual geometry" result in "a harmonious juxtaposition of design elements and a distinctive roofline."

The site was formerly approved in 2005 for a similar steel-glass-and-limestone building, designed by Brennan Beer Gorman Architects and developed by FLGA, LLC, a decision that, at the time, created a minor controversy, as the similar "Rapture Lofts" project at 14th and T was rejected by the board, raising accusations of preferential treatment from some community members.

Washington D.C. real estate development news

Rebel with a Reciprocating Saw: Creating El Centro

By Beth Herman

There are more than 18 restaurants, including Washington's acclaimed Masa 14, in his epicurean empire, at far-flung locations from D.C. to Denver to Dubai. So what could powerhouse chef/owner Richard Sandoval have in common with a Rhode Island School of Design graduate and her garage full of power tools?

For Brie Husted of Brie Husted Architecture, who created Sandoval's latest D.C. digs—the eclectic El Centro D.F. (stands for Distrito Federal), at 1819 14^th Street NW, the tools are her unconventional calling card. In fact with a knack for fabrication that rivals her creative prowess, Husted’s so-called guilty pleasures would seem to run more toward nail guns than nail color.

“One of the things I really should credit is my RISD education,” the architect said of her views on building and design. “The architecture school there is very hands on: Your first project begins with making something—then you ask questions.”

It’s all in the joist

In creating El Centro, “materiality” and “rhythm” were a key part of the creative process, as they are in all of Husted’s work. Her fusion of raw and recycled materials— rope, scrap metal, newsprint, lighting fixtures composed of metal sprinkler heads, reclaimed/repurposed old pine joists and broken Talavera tiles—resulted in a hospitality space that piques the pulse as much as the palate. “Art and architecture just feed off of one another,” she explained, citing a behemoth, textured mural of old newspapers and recycled wood in the restaurant’s main dining space, something she and her trusty battery pack nail gun fabricated in about five days. At 13-by-13-feet, its imposing, variegated cross design was actually subconscious, the architect revealed, as were the Talavera tile crosses she created in the restroom, though they’re emblematic of Mexico’s deeply religious culture.

On two levels and at 4,600 s.f., with an additional rooftop deck gilded by a single street-facing wall to absorb noise in deference to neighborhood below, three distinct dining spaces for 150 patrons facilitate El Centro’s alimentary experience. An open kitchen with distressed metal panels suggests a classic taco truck and separates the taqueria in front from the café in back. A cavernous, carved-out, below grade space, called the “tequileria,” implies the old time speakeasy atmosphere that appeals to Sandoval: He, Husted and Sandoval’s managing partner Ivan Iricanin began to conceptualize El Centro at an aptly-named Mexican speakeasy affair in NYC.

Helmed by project architect George Wabuge, whom Husted credits with keeping their mission “authentic,” general contractor and master carpenter William Camden was also part of the team. Brandishing his own set of power tools, including a chainsaw to fashion such elements as a light fixture from an old carriage house wooden beam, Camden also crafted a log trough sink in the restroom from a tree on his property. Millwork benches and more were built from reclaimed timbers—actually salvaged pine joists from deconstructed Adams Morgan and Mount Pleasant homes— by furniture maker Joe Mills. “We designed and made all of the furniture,” Husted affirmed of the artful collaboration.

Texture and tradition

For inspiration, rather than acquiescing to the “shtick” she said defines many Mexican restaurants, Husted spent time researching what is characteristic and enduring about the country. “Everything’s textured, and everything’s recycled in Mexico—nothing is put in the trash can,” she said. To that end, coarse masonry block walls—ubiquitous in Mexico— were used in the restroom, and the decision to recycle was manifested in items like the space’s decades-old steel sprinkler heads. The former Georgetown Refinishing warehouse had 13- or 14-foot ceilings, wherein fire sprinklers had been lowered by pipes to about 8 feet, which worked out perfectly for the team who figured out a way to transform them into rustic light fixtures. Much of El Centro’s wood, including the mural’s infill, is reclaimed wood lath, which traditionally backs plaster in pre-1920s residences. And 200 feet of rope—a natural material used in vertical fashion as a guardrail—embellishes the restaurant stairs, reinforced by turnbuckles for durability.

Of culture and carpentry

Eschewing what can be the anonymous cog-in-wheel nature of architectural firm work, as a young architect, Husted eventually focused on general contracting and carpentry work for personal projects she created (a home she bought; another renovation with a friend). She also worked as a construction administrator and carpenter before hanging out her own architecture shingle in 2000.

At her first formal meeting with Sandoval and Iricanin, the native Washingtonian presented a 12-by-24 piece of wood and some scrap metal, along with a few newspapers, declaring these were what she was considering for the design. “They said it was curious, but OK – they’d go with it,” Husted said. “One thing they say in school about professional practice is that you can’t have a good project without a good client. Ivan (Iricanin) really got this and encouraged it.”

In the cellar, or tequileria, the space was actually dug out and left raw, with a poured concrete bar, floors and walls. Because steel beams spaced on 5-foot centers supported a concrete floor on the level above it (not a lot of owners are willing to venture that far, according to Husted, who credits Sandoval and Iricanin with their sense of adventure), wood vaults with 10-foot arches could be inserted between the beams to give it a real cellar feel but with additional height and drama. Drawing on the cultural research she’d done in the beginning, Husted carved multiple niches tableside, in the walls, in which to display Mexican art.

“I went to Mexico and found something OK, but then Richard and Ivan went and searched all over,” Husted recalled. At the end of one day, they walked into a little gallery shop, (the now defunct) La Azteca, and found these masks, each based on a Mexican myth, and bought 20 of them for the tequileria’s niches.

As the brunt of design elements at El Centro were conceived onsite, Husted revealed the materiality and temporal nature of the project—four months from permit drawings to Cinco de Mayo grand opening—made creating many things ahead of time impossible.

“In my work, half of my ideas come from just looking at a material and imagining what it could be,” she said.

Washington DC retail and real estate news

photo credit: Rey Lopez