Back to School: The ABC's of Architecture

By Beth Herman

It’s regarded the same way inhabitants of a European village might revere their cathedral, according to Principal Chuck Swartz of Reader & Swartz Architects, P.C.

Located on a 40-acre Olmsted Brothers-created site, inspired by Thomas Jefferson’s University of Virginia and emblematic of history’s Progressive Education Movement (PEM) in its open form and structure, iconic John Handley High School had been eroded by time and convention. On the National Register of Historic Places since 1998, the Winchester, Virginia school’s legacy was also tied up in an anomalous decision by Washington’s Corcoran Gallery of Art: For the duration of WWII, $1 million dollars’ worth of paintings had been secretly squired to a vault in the school’s basement— its Whistlers, Rembrandts and Degas’ under 24-hour armed guard to shield them from the possibility of a District attack. Opened in 1923 and renovated in the ‘70s, Handley’s programmatic mission, mechanical and electrical systems, fire safety resources and handicapped accessibility were increasingly marked by obsolescence and changing education models. In the case of a school-wide communications system, there was none.

With VMDO Architects as architect of record, Reader & Swartz Architects, P.C. collaborated in a seven-year, three-phase expansion, renovation and restoration of the original 122,000 s.f. structure (310,000 s.f. with later additions) that would, among other things, increase the number of classrooms for approximately 1,190 students. Aspects of the original Walter McCornack design—having undergone late 1970s incursions such as dropped ceilings (that impeded sunlight) and “hermetically sealed” windows that flailed at the energy conservation practices of the day—would be restored and/or reimagined into multi-functioning, aesthetically pleasing spaces. And, working with standards set forth by the Secretary of the Interior, essential tax credits available in restoring landmark buildings would accrue. “The building was literally a sacred cow,” Swartz said.

Sounds like school spirit

Affirming the community’s feverish support for the school, which translated into a $5 million to $8 million dollar local fundraising effort spearheaded by Sen. H. Russell Potts, Jr. to help defray some of its $63.9 million cost, Swartz, a Handley alumnus himself, said the redesign task was monumental on so many levels.

“We wanted to be true to Winchester, true to the historical vision of the school, true to the philosophy and spirit of the school,” he explained. But the architects also wanted to integrate 21^st Century educational ideals into the redesign. “We wanted to keep Handley’s soul but make it better than it was,” Swartz added, explaining their intention to make each space more than just a room, a passageway or a wall, but rather a teaching tool in itself—actually in the original style of the PEM.

According to VMDO Architects Principal Bob Moje, “Handley High School was a restoration but it wasn’t just putting it back the way it was. We rethought the whole educational process from top to bottom, reorganized where everything was in the school, and saw what the building’s existing assets were—what we could use and what we could reinterpret.”

Believing the school may be the only public high school of its kind to maintain extensive archives, of which the architects readily availed themselves, Swartz drew a parallel between early Handley/PEM design principles where students had access to natural light and the outdoors itself, and today’s education mandates for the same. Though a massive “nature study court” created in the original plans, conceived of as a greenhouse for observational purposes, was never realized in that its glass roof for some reason was never applied, the 1970s saw the application of a solid roof, but the empty court assumed no purpose, Swartz said. During the current renovation, the team exchanged the conventional roof not for glass but fiberglass, allowing light into the space below and turning it into a second cafeteria/cafe for socializing and meal options. Located just outside the school theatre (the largest in the city, according to Swartz), the space can also be utilized for special events like proms or après-theatre events. Busts of Founding Fathers and other historical elements lend a kind of dignity and education value to it.

In the next phase, a two-story trussed space—used as a gym in its original design—had received another floor during the ‘70s and had become levels of windowless classrooms. In the current renovation, part of the second floor was removed and a staircase was added to knit both levels together (access was previously gained through fire stairs), with the result a two-story gym and two-story state-of-the-art media center, where historical trusses were exposed and retained.

Of Picassos and partnerships

Originally created as a school for grades k-12, an arcade at one end of the building was designed to gild a kindergarten where children could go outdoors and play. For more than 80 years, it was never used in that or any way whatsoever, so the team closed off adjacent doors and created a brand new entrance into the school by using the entire arcade as a front portico.

The school’s main hallway had a previous, informal moniker where it was known simply as the wooden hallway. In the original Post WWI drawings, it was called the Gallery of Art and History: its intent to be filled with art or objects to provide students with a learning opportunity. Presently known as the James R. Wilkins Gallery (named for its current benefactor), or also as the school’s very own Corcoran Gallery, the space is now an arena—or teaching tool— of high quality art reproduced from Corcoran negatives, courtesy of a donor-sponsored partnership between Reader & Swartz, Water Street Design (graphics) and the Corcoran Gallery of Art. “Before we worked on it, it had some paintings of principals and random displays, but now it’s been elevated to gallery status,” Swartz said.

On the exterior, in addition to reconfiguring the arcade into the new main entrance, a balustrade across the top was rotting and had to be repaired and restored; cupolas and roofs needed repair and bricks repointing. Waterproofing was a huge component in the redesign, as among other things an esplanade had experienced structural problems over the years and was leaking substantially.

In the back of the building, a second floor was inserted and braced with steel, as the school had been built prior to lateral force requirements. “On the one hand you’re fixing caulk and rotten wood on windows and balustrades, and a leaky esplanade, but on the other you’re adding like a city block of modern classrooms that sit behind a parapet, making sure they aren’t seen from public areas so they are really quiet (and don’t intrude on the building’s historical integrity),” Swartz said. “It’s basically a new school inside an historic shell with as much history retained as possible.” The building was also reorganized to feature math and science classrooms on one side, with art and literature on the other, much like the left brain/right brain landscape of the human brain. Phase III of the redesign addressed the 1962 additions in the back, which were repaired and updated, though historic elements were not at issue.

“Architects make as many mistakes by doing too much as in not doing enough,” VMDO’s Moje said, “and this is a very interesting project in that regard. In some ways, it may be our best work but you cannot see a lot of it. It’s an amazing piece of sleight of hand to expand the school, but the front appearance has not changed at all,” he said, referencing the second floor that was stepped back considerably.

All in the family–and community

Citing choreography concerns in restoring and renovating a project of this magnitude, Swartz said the high school had to remain operational during construction, which took four years. “You had to meet all the education standards, help get kids into college—all those things while you’re tearing a building apart and putting it back together,” he said, adding the job was so extensive the first $30 million was just to tear things out and put in new systems—within the same walls.

“I went there, my mother went there and later worked there, my brother currently teaches there and my daughter goes there,” Swartz said of a project that resonated as much for him personally as it did professionally. “Clearly John Handley High School is an amazing edifice in this town.”

Said Moje, whose firm has designed many hundreds of educational environments in the past 35 years, “Probably the vast majority of articles you read in the news media are negative about public education. The fundraising efforts of the high school and its graduates show there is still an awful lot of good about it, and this building is representative in a lot of ways.”

A Penthouse Defined by Color and Comfort

By Beth Herman


Chromophobia... fear of color.

You won't find it anywhere in interior designer Camille Saum's Washington oeuvre, and certainly not in the Edgemoor condominium she created for renowned D.C. area real estate broker Sherry Davis.

Known as much for her personal style as prodigious use of color (think: sun-yellow floors and skin-pink ceilings), in more than three decades Saum has yet to acquiesce to the beiges, blacks, browns and greys of convention –unless absolutely pressed!

"You do have to listen to the client—that’s what success is all about," Saum affirmed, conceding that she has worked very hard over the years to be able to strike a balance between clients' desires and her own evolved design ideas.

Transitioning Davis from a sprawling 4,500 s.f. Bethesda home to a 2,500 s.f. penthouse in the same neighborhood, Saum said in addition to the use of color for depth and drama, economy of space was paramount. By the same token, the client’s priorities clearly needed to define the space.

"The instructions that I had at first were that she’s got to live in this room,” Saum said of the living/dining room space, because unlike the expansive home Davis was leaving, there were no other areas to which to escape except for a bedroom and guest bedroom. Desiring a comfortable, largely contemporary environment, accommodating a cherished, aging schnauzer with accruing health problems named Max was also high on Davis’ dance card and factored heavily into fabric and flooring. A durable “nubby” fabric was subsequently chosen for the couch and loveseat, and a wool rug that could be easily cleaned was added.

Because size mattered, Saum had furniture custom-made which allowed more flexibility in scale. “You have to be creative,” she said, reaffirming the smaller room mandate. Recalling an issue at The Westchester, where she resides, Saum said she’d once witnessed a failed attempt to load a magnificent antique sofa through a doorway. “Every piece of furniture I order for every space—I measure doorways and everything else,” she said, whether custom-made or otherwise. “You can take the feet off and do other things, but I prefer not to do that.” In fact, in the client’s aptly named Panache Penthouse, Saum made the sofa backs shorter, for easier entry, so the cushion sits up three inches above it and looks beautiful.

With small grandchildren, space in a concentrated area for them to spread out for reading, games or art projects, or to be able to participate in holiday meals, was achieved with two built-in pedestals that double as seating, with colorful cushions on top, or as low table surfaces.

Saum chose a favorite in her signature color palette for the space’s tray ceiling—the resulting shade of “plantain” redolent of the sun. Reflected in accessories such as pillows, lamp shades and especially a wall-sized acrylic canvas by artist Linda Cafritz, the plantain hue transforms the room into a bright, shining environment. “I always try and make a space happy, because when you walk through a door, you want to love to be there,” Saum said.

Enlightening space and client

Not enamored of recessed lighting, Saum said her client had to be convinced to try it and when she did so, never looked back. “She thanked and thanked me, as we had to think about what we were going to do in the living room when a floor lamp wouldn’t be enough,” Saum said. An antique chandelier from Dominion Electric Supply added sparkle to the living/dining space, and table lamps “float,” according to Saum, with holes drilled in glass-top tables and skirts to conceal cords.

In the master bedroom, a custom 72-inch leather headboard in a deep camel with green cording complements neutral walls and soft, moss-green furniture. Twin Donghia lamps were painted to accent the room, and a camel-colored area rug with 3-inch banding and mitered corners completed the space. The penthouse’s guestroom utilizes an iron bed from Davis’ former home, along with a crisp mustard-and-white-striped chair in Donghia fabric. A simple Pottery Barn bedspread, cuddle pillow with a solid flange, and toile quilt and sheets - also in a Donghia fabric - reflect a serene and gracious environment, with chili-red lampshades providing a dollop of drama.

Of her designing life and proclivity for color, Saum maintains she was “born with it in her blood.” A bona fide daughter of Georgetown, among Saum’s earliest memories is a move from one home to another where she recalls the placement of every piece of furniture, along with the color and texture of the wallpaper, when she was just 4 years old.

“It’s intuition, and all the school in the world cannot change that if it’s not there,” the designer affirmed. “Color is inside of me.”


photos courtesy of Gordon Beall Photography

Convention Center to See More Marriotts

If all goes according to plans, three Marriotts will eventually be built on 9th Street NW, immediately west the Washington Convention Center at the convergence of Downtown, Shaw, and Mount Vernon Square. Although one notable hotel - the Marriott Marquis - is currently underway and set to complete in 2014, two more Marriott hotels are being conceptualized just north of the Marquis, at the foot of the Shaw Historic District.

The parcel in question, north of the Marquis construction site, running along 9th Street between L and M Streets, NW, bears six boarded-up storefronts. Around the corner on L Street a large co-op and two good-sized row houses have sat shuttered. The 1,175-room Marquis aims to fill a void in convenient hotel options for conventioneers upon completion, and although the new hotel will be the second largest in the District, original plans for the Marquis, by joint-development team Capstone and Quadrangle, were even bigger, calling for a 1,400 to 1,500-room hotel spanning L Street, and spilling into the blighted area to the north. The idea for one hotel, connected by a pedestrian bridge, was scrapped years ago, before the Marquis broke ground in November of 2010. But now, current plans by the same developers for the Marriott-owned land between L and M Streets call for the revival of increased hotel space in the form of two new Marriotts: a Residence Inn and a Courtyard Marriott. 

A source from Capstone says that building two additional hotels will “meet the city’s original goal for the convention center of 1,600 total rooms.” Marriott has not given a reason for building three hotels instead of one, but varying price points is likely a factor, as all three Marriott brands are targeted to different customers. The zoning process for the two additional hotels has not begun, says Norman Jenkins, president and founder of Capstone, and subsequently, “a start date has not been solidified.” However, the future plan is to “retain all of the boarded buildings that front 9th Street and incorporate them into the hotel," giving the redevelopment a “really neat old/new look.” As for the boarded-up real estate on L Street – the co-op at 919 L Street and the two row houses – the goal is to demolish them, if granted approval. 

The recent demotion of a few “non-contributing structures” (i.e. non-historic buildings) at the northern parcel of land created a small amount of space to be utilized as parking for an influx of construction workers for the next three years at the Marquis site.  Capstone was mum on where the development team is in the entitlement process, however, no permits have been applied for with the Department of Consumer and Regulatory Affairs (DCRA), so it seems Marriott's 2nd and 3rd hotels on the site will arrive well after the Marquis is finished. 

Washington D.C. real estate development news

CityCenter on the Launch Pad

Two months away: So say developers of CityCenterDC, for now downtown Washington DC's largest surface parking lot, who are poised to announce an official start to their transformative mixed-use plan to develop nearly 700 units of housing, 185,000 s.f. of retail, 520,000 s.f. of office space, and central shopping plaza, to replace the site left vacant when the forgettable convention center was demolished in March of 2005. Officials say they are nearly set to announce a late April or early May start date to the project, despite any lack of signed tenants to date.The upcoming groundbreaking is in keeping with the April start date Hines officials promised DCMud in June of last year, though it represents a slippage from original intentions to start construction in early 2008 amid the financial crisis. Current tenants such as Bolt Bus have been given until the end of March to vacate the site. With a spring construction start, developers should wrap up construction by late 2013, just as the Convention Center Marriott is nearly finished next door, a pair of events that should have a profound impact on downtown and Mt. Vernon Square, already a bottleneck for traffic.

Filling the chasm downtown, the Hines-lead team, chosen by Mayor Anthony Williams, will rebuild 10th Street and add an east-west oriented pedestrian shopping plaza, hotel, apartments (458), condominiums (216), parking (1500+ spaces) and two office towers. The central retail plaza will be framed by stepped-down buildings to encourage a naturally lit shopping thoroughfare, in what Mayor Adrian Fenty predicted will be a "bustling area where people come after work to shop or eat or to hang out, a city center." The whole site is designed to achieve LEED Gold certification.Construction without an anchor tenant would be an important indicator of faith in the downtown commercial market, as DC's retail spaces show strong demand, financial markets stabilize and the Washington DC office market remains buoyed by an expanding federal presence. CityCenter's backers have been energetically courting large tenants to sign on prior to construction and have tantalized news purveyors that brand name leases are "in the works." Howard Riker, Vice President at Hines, told DCMud last June that the team was reworking some of the floorplans to make way for a major tenant, soon to be announced, and the team has been close to signing several tenants that could have anchored the project, a prospect that still might be close at hand, but there are "no signed leases to date" says Hines' Dawn Marcus. Larger office projects such as Monday Properties' 35-story office tower in Rosslyn have since broken ground sans lessee.

Gerry Widdicombe, Director of Economic Development for the Downtown Business Improvement District (BID) notes the difference 185,000 s.f. of retail will make for downtown. "This is really the capstone for downtown DC. We have about 5 million square feet [of buildable space] left on vacant lots or dilapidated office buildings...the old convention center site is about 2.5 million [s.f.] of that, 1.8 million is the air rights building, then we're almost built out." Widdicombe credits former city leaders with setting parameters of a strong residential presence rather than solely office space - despite the commercial's greater tax base value, and for fostering a vision of a retail center. "Everything's working pretty well. The thing we're lacking is retail, hopefully we'll have an Apple store, maybe a Bloomingdales, to get us over 500,000 s.f. of destination retail." He notes that when the BID formed downtown had 95 surface paking lots and 30 dilapidated buildings. "Now we've got 5."

Putting that concept to paper, and soon to ground, is the worldwide team of Foster + Partners, which created the master plan and is bookending the site with apartments (overseen by Archstone) and office towers, and Shalom Baranes, designing the interior condominiums and integrating the retail. Along with a new 10th Street and I Street, the plan introduces a new vertical pedestrian street ("9 1/2 St"), an east-west pedestrian promenade, and at their intersection an expansive public plaza encompassed by two-story retail spaces with street-level access. The dominance of retail is not lost on its designers and developers, who sloped rooflines downward to the plaza and raised ceiling heights, a major sacrifice in a height restricted city, while stacking an extra floor of retail and creating - if successful - a destination akin to the European fountain, albeit less historic. DC is a city without plazas, and the architects have their sites set on a remedy.

"The real focus of the project is the public realm and retail" says Robert Sponseller of Shalom Baranes, a design principal for the project. "If you take the architecture aside, DC has always lacked a critical mass of urban retail. We're stuck with low height, so our retail space is squeezed. Here the ceiling heights are 16-22 feet, with a 2nd level of retail around the public plaza area...these are literally modeled on the best European street designs of Barcelona and Berlin." Sponseller says the alleys, or "intimate pedestrian streets," in his words, are 24 feet in width beneath residences that stoop to 4 or 5 stories above the plaza. "The Foster plan is remarkable for its clarity and simplicity. There is great pedestrian access, its really an intense, mixed-use project" says Sponseller.

The northern tier of the lot will be filled by a public park on the western margin, a hotel north of I Street in the middle, still just conceptual and without a flag, and a lot on the east owned by Kingdon Gould that has no firm plans for development at this time. Gould obtained the land in a swap with the city, giving up real estate at the Convention Center Marriott to get the northeast parcel of CityCenter.

Hines is a Houston based, privately owned real estate investment firm with offices in 68 U.S. cities and 15 countries. Old convention center photo courtesy Wrecking Corporation of America.

Washington, DC real estate development news

"Things Are Moving" for O Street Market

Think Eastern Market meets City Vista if you're trying to imagine what the CityMarket at O will look like, the $260 million dollar project to help revitalize Shaw's business district. "It will embrace an unusual combination of 19th century charm and 21st century technology," said Armand Spikell, Principal of Roadside Development about the Shaw project that will transform two city blocks in Shaw.

Though Roadside had applied to raze the Giant at 1414 8th Street at the end of January - the first of many permits - the demolition date is still hazy, though Spikell projects the store will close this summer. Between now and then, the group has been digging around the foundation and adding steel braces to support the historic market building.

The new Giant Foods will be larger than the Safeway that now resides in City Vista. 55,000 of the 87,000 s.f of retail space is slated for Giant, of which 13,000 s.f. will be underground. This includes the loading dock in particular. "During the initial meetings, the community stated they did not want the eyesore of the docks that take up 9th Street now. It is a very unusual move, but we've tucked all that out of sight," said Spikell.

Also out of sight are the 500 parking spaces, which will also serve as an option for the Convention Center so as not to congest the neighborhood, again at the behest of the community. The remaining retail space is slated for small local businesses, none of which have yet signed at this early date; businesses would not open doors until 2013.

"Working with metro on foundations, working on design, meeting with the community, securing funding through HUD, this is not a normal commercial venture," said Spikell, "and this all takes time." Having started in 2003, eight years later, "things are finally starting to move."

Washington DC real estate development news

Shaw Developers Celebrate Step Forward with Progression Place

One of Shaw's chief development projects, slowed by lost tenants and missed start dates, is finally having its day as developers celebrate a "groundbreaking" Monday for a project that began in late 2010. Developers of Progression Place began work last December on the 320,000 square foot, $150 million development, with 100,000 square feet office space, a 205-unit residential apartment building, 20,000 square feet of street-level retail, but on Monday its developers will fete themselves and the sale of an office condo to anchor occupant United Negro College Fund (UNCF). UNCF officially purchased half the project's office space on December 24th, but developers were already doing site work on the vacant lot in anticipation of the settlement and Eagle Bank's $13m loan made possible by the sale, which was in turn made possible by the city's $3.6m financing subsidy for UNCF. Ellis Development, The Jarvis Company, and Four Points combined forces to build a project that would be hard to overestimate in importance as a beacon for Shaw's development, adding housing, jobs and retail in an area that had little investment in any of those markets. Progression Place is adjacent to the Howard Theater, also being developed by Ellis, and will build in parking for the historic theater and add a rebuilt Metro entrance. UNCF's office condo and the "7th Flats" will both be ready for occupancy in mid 2012. With a new library in place just to the south, and the Convention Center Marriott already underway, the O Street Market remains the largest holdout that could tie together development along the 7th Street corridor. Design is being handled jointly by architects Eric Colbert & Associates and Devrouax and Purnell, and built by Davis Construction and Gilford Corporation. The public ceremony will be held at the Lincoln Theater at 11am on Monday. 

Washington DC real estate development news

DCMud 2010 Year in Review

2010 may not have been a chart buster for real estate, but by most accounts it beats 2009. DCMud presents its annual report of what happened, and what didn't, this year in the world of commercial real estate. 

To start the year, the Coast Guard Headquarters received a thumbs up (Jan 7) from NCPC for the WDG Architecture and HOK designs. Silver Spring will get its arts venue now that the county has reached an agreement (Jan 15) with developers to swap land.  Lee Development Group intends to build a hotel, office building, and 2,000 person music hall in the CBD. Another church sold out to developers (Feb 2), as Lakritz Adler planned to build 200 apartments in place of the First Baptist Church of Silver Spring, just across the street from the library that just got going. Right next door, the county asked developers to submit bids (Feb 3) for another residential project. Progress crept forward on the purple line when the county decided to place it next to the bike trail. The Moda Vista finally took off (Nov 8). Wheaton could be transformed, now that Montgomery County and WMATA have asked developers to submit bids (Jan 21) to control 10 sites downtown, with a B.F. Saul lead team chosen for most of it (July 29). Patriot Realty submitted formal plans (April 13) for 500 apartments above a new Safeway downtown (pictured). EYA began plans to demolish the James Bland Addition public housing project in Old Town Alexandria, which it followed through on, to make way for a mixed-income housing project, now for sale. The Takoma Theater was the subject of a showdown between its owner, who wanted to tear it down and build apartments, and the Historic Preservation Review Board, which liked it just the way it was. The District pushed forward with plans for Skyland, pushing out owners to make room for a developer, testing constitutional boundaries (March 12), even after a national trend by states to stop such practices. Middle Georgia Avenue boomed this year, while the northern and southern ends were a bust. Middle Georgia got a new restaurant (Jan 27), and a new apartment building by Chris Donatelli (March 21), now that both have started construction and are well on their way to completion, as well as a new CVS. NDC got underway on The Heights (May 24), and proposed The Vue (Dec 12). On the lower end, redevelopment of the Bruce Monroe school fizzled (Aug 10), and the planned Howard Town Center went nowhere.

Moving to downtown DC, L'Enfant Plaza stands a chance of becoming less frightening, now that a cabal of federal planners and developers are in cahoots (sort of) (Jan 29) to rebuild the '60's era mass of concrete into something less awful. Not quite ready for prime time: a 14th Street condo project in Logan Circle promised for 2009 failed to get underway in 2010, despite ongoing predictions things were "imminent". The Arts at 5th and I took one step forward and two steps back, as Donohoe Companies and Holland Development, which won the rights to develop the site in 2008, admitted they were not ready and turned the Mt. Vernon site into a parking lot (Feb 9). Holland later said (Nov 18) that they were getting "closer." Alexandria pondered how to make the King Street Metro less unfriendly to pedestrians (Feb 10). The District began a long process (Feb 12) of reshaping Dupont's underground trolley station into something useful, long after it failed as a restaurant venue. The District eventually selected an arts coalition (Oct 21) to build out the space. The Corcoran, which had partnered with Monument Realty to convert southwest's Randall School into a large apartment building, gave up the ghost and sold the project to private investors (Feb 18). Senate Square on H Street was sold at auction (Feb 22) to its mezzanine lenders, relieving New York's Broadway Development of one its DC debacles. Broadway had already defaulted on the Dumont, and soon Arbor Place, its investment in Jim Abdo's New York Ave project-that-wasn't, would also fall apart (May 14). M.M. Washington High School was given to a team of local developers who planned to turn it into subsidized senior housing (March 15), construction is expected by mid 2011. A Woodmont Triangle church has been trying to morph into an 8-story, 107-unit apartment building along with a new church, moving through approvals and looking for a partner after Bozzuto backed out (March 16). DC and the feds gave money ($7.2m from DC) to Urban Atlantic and A&R Development Corp. (March 18) for the 8.5 acre Rhode Island Station, which then broke ground May 18th. Greenbelt Station gets more hopeless by the year (March 24). H Street swelters: The Rappaport Companies got ANC approval (March 26) for its Torti Gallas designed, 400-unit building on H Street, heating up the retail corridor just as the trolley lines are finishing up. Clark Realty broke ground on Arboretum Place (Sept 15) at the eastern end, and new supermarkets are planned for the east (Aldi) and west (Giant) ends. After years of litigation, Ed Peete's Bromptons project made a comeback in Arlington (March 27). Alexandria skyline rising: The Hoffman Company will put 1,200 new rental apartments and upwards of 70,000 s.f. of retail adjacent to the beltway in Alexandria, rising up to 31 stories (March 30). An Arlington church cleared its last legal hurdles (April 16) and began building the Views at Clarendon (pictured), a mixed church and residential project, which other urban churches eyed with interest (Oct 11). Arlington kicked off Long Bridge Park (April 21), its 46-acre isolated brownfield on the edge of Pentagon City that it hopes will become a major attraction. DC opened its riverfront park next to Nationals Stadium (April 27). Next door, Canal Park got underway in Southeast's Capitol Riverfront (Aug 26), a neighborhood that added more than a thousand new residents in 2010. Hopes of Utopia were raised, then deflated, U Street developer Georgetown Strategic Capital predicted imminent progress (Apr 22), then got a 2-year extension (June 26) to build his apartment building and retail project. LCOR broke ground on the Nuclear Regulatory Commission building in North Bethesda (April 28). The MBT bike trail opened a new leg in Northeast DC (May 3). Georgetown's Social Safeway reopened, newer, bigger, better (May 4), as did the Georgetown Library (Oct 14) after a devastating fire in 2007 on the same day that Eastern Market smoldered. The Cohen Companies floated plans for a large residential project at 14th Street and Virginia Avenue, SE (May 5). Brookland had a great year, breaking ground on Dance Place and Artspace, EYA broke ground (May 6) on 237 townhouses, and Bozzuto and Pritzker Realty Group partnered up to build Jim Abdo's mixed-use project (Aug 20). Abdo's other grand plan, Arbor Place on New York Avenue, got no such reprieve, and faded away (May 14). The District broke ground on Sheridan Station, a 344-unit public housing project in Southeast, hoping to cure its crime and upkeep problems (May 10), as well as a host of other affordable housing projects. Construction got underway on the Martin Luther King Memorial (May 14). Louis Dreyfus demolished a block of historic homes (May 20) on the edge of Capitol Hill, ostensibly to build Capitol Place, with 302 apartments, but so far have only turned it into a parking lot. Columbia Pike saw several apartment buildings open (May 23) as development of all kinds took hold, but no trolleys yet. The Loree Grand opened to residents (May 31) just after Paradigm opened its doors (May 28) as the first new housing in NoMa in a century. Archstone broke ground on more residences for NoMa (July 21), 469 apartment units (pictured, right) designed by Davis Carter Scott, on track for a mid 2012 opening. DC reached the 100th anniversary of the act of Congress that gave the District height limits (June 1). Southwest DC passed several milestones, as the Southwest station reopened (June 3) along with a new Safeway. It made nominal progress on the Waterfront (Aug 18) with its first demolition and release of early designs (Sept 30), but construction is not expected any time soon. Capitol Hill's Old Naval Hospital began the rebuilding process on its way to becoming a community center (June 10). The Monty, a long-planned Bethesda high-rise, got a new owner (Bainbridge) (July 1) and soon after got ready to break ground (Nov 5). Work got started on 1000 Connecticut Ave, designed by Pei Cobb Freed, perhaps DC's most visible office building (July 12). Post Properties got underway (Aug 9) on phase two of its Carlyle Square apartment project in Alexandria, 344 new apartments designed by SK&I Architectural Design Group. Park Morton got another public injection of cash, likely clearing the way for a large affordable housing project. Developers should break ground on the 500 units during 2011. JBG found a financing partner (Aug 15) for its 14th Street condo project, gave it a new name (Oct 27), and said it was ready to break ground this year, though that hasn't happened yet. A 42-acre parcel in Northeast was planned by Trammell Crow for a big box destination (Aug 17). Capital One proposed a more urban remake of 23 acres (Aug 19) in downtown Tysons Corner. The Bonstra Haresign design, however, is expected to be built only a few bits at a time, if at all. A long time coming, the Howard Theater began a transformation that should help restore some if its former glory (Sept 1). The Smithsonian unveiled revised plans for the the Museum of African American History and Culture, to take up the last free spot on the Mall (Sept 3). Reston Station got underway as the public garage component began construction (Sept 6), and Comstock Partners planned an early 2011 groundbreaking on their portion, more than a million s.f. of development at the end of phase 1 of the Silver Line Metro extension. Urban planners began thinking through a full makeover of Mt. Rainier nearly a century after the city peaked as an inviting community (Sept 22). Washington Property Company started work on its 16-story residential building in Silver Spring's Ripley district, designed by the Lessard Group (Sept 29). After decades in the making, Marriott's development team began site prep (Oct 20) in downtown DC next to the Washington Convention Center, then broke ground on the 1175-room hotel. Equity Residential bought the plans for a Lyon Park project in Arlington and expected to break ground soon on the new apartment building and retail (Oct 5). Arlington selected Arlington Partnership for Affordable Housing as the developer of the residential portion of Arlington Mill, a subsidized residence and community center (Oct 6). In Rosslyn, the Artisphere opened, adding a touch of nightlife to the 9-5 neighborhood, a new office building and street got underway courtesy of Skanska (Sept 18), and JBG nearly started work on Rosslyn Commons (Oct 3), 454 new units of housing. Monday Properties began work (Oct 12) on 1812 N. Moore, their speculative 35-story, 390 foot office building (pictured), what will be the region's tallest building when completed. The Davis Carter Scott-designed structure will rise above the new Rosslyn Metro station. Developers of CityCenter DC said they would be ready to fill the gaping hole downtown by next spring (Oct 22), despite the apparent lack of an anchor tenant. Paradigm Development began work on more than 400 apartments in Mount Vernon Triangle (Oct 27). Carr Properties and architects at SmithGroup came up with plans to add an office building onto the Corcoran Gallery of Art (Nov 5). The cash-strapped Perseus sold 14W to JAG, which said it could start building the 14th Street project almost immediately (Nov 24). Next door, work began on UDR's apartment building after delays and extensions (Dec 15). In the last item of note, Shaw's Progression Place started up (Dec 22), though the more meaningful O Street market got nowhere, despite an official groundbreaking (Aug 30).