Southwest Waterfront's Wharf Waved Forward by NCPC

Yesterday, the National Capital Planning Commission waved forward the First Stage PUD of PN Hoffman and Madison Marquette's $2-billion development of the Southwest waterfront known as "The Wharf". The vote to "comment favorably" was raised before Matthew Steenhoek, development manager for PN Hoffman, even had the chance to make a final remark. NCPC commission members noted that the PUD honors NCPC's request from November 2010 to "strengthen the physical and visual connections to the Banneker Overlook." Subsequently, Market Square (below Banneker) was expanded, and the opening between two residential towers at the end of 10th Street was widened. 

A pedestrian connection from Banneker Overlook to Maine Avenue was also added into the plan, which will be included in phase two of development. The Zoning Commission reviewed the First Stage PUD and related map amendment in mid-September, and may take final action this month, after which the development team can submit the Second Stage PUD, which will detail design and architecture specifics, whereas the First Stage deals with building massing, land uses, open space development, waterfront development/improvement and related map amendment. Hoffman-Madison hopes to submit the Second Stage early next year, in order to begin construction on the first phase (of three) in the first quarter of 2013. Of the 3.2 million s.f. to be developed on land abutting the northeastern shore of the Washington Channel, the first phase of construction will be on the middle four parcels ( 2 through 5) which constitutes 40 percent of the entire development. Parcel 3 will be the location of Carr Hospitality and InterContinental Hotels Group's four-star, 268-room hotel. And, according to Steenhoek, the JBG Companies will operate two hotels - a limited service and an extended stay - at parcel 5. Parcel 2 will be two residential towers above a 4,000-seat multi-purpose theater. 

All of the buildings include ground floor retail. A significant aspect of the entire development is the creation of Wharf street, a main avenue along the waterfront for cafes, cars, pedestrians, pier access, bikes and even streetcars. The Wharf will be a privately owned street and will overtake the existing Water Street, the closure of which was approved by the Council in April, and currently awaits approval by Congress. 

Washington D.C. retail and commercial real estate news

Your Next Place

By Franklin Schneider

Ohhhh man. This Robertson/Lakritz Adler townhouse-style condo isn't just dramatic and bleeding-edge luxurious – it's also green. That's right, this place gets 80% of its power from solar panels, making it one of the very few things in life that's both sexy and virtuous. Jump on this now, because this is the future, and trust me, you never want to be the last one to make the transition. Before you know it, if you mention in mixed company that you still heat your home with natural gas, people are going to look at you like you're blowing cigarette smoke onto their newborn baby.

But this is not a Prius of condos – more like a Bentley. The epic living room has a 20-foot-plus vaulted ceiling and massive floor-to-ceiling windows, and there are two (!) floating staircases leading to the upper two levels. (Yes, the unit has three levels.) The upper levels feature three spacious bedrooms, and a splendid roof terrace. Some roof areas are just folding chairs on a tarred roof that you have to awkwardly climb out onto, but this terrace was an extension of the apartment that just happened to not have a roof over it, as thoughtfully laid out and furnished as any other room, and shielded from the wind.

And yeah, the solar panels. The agent told me that the present occupant saved at least 200 dollars a month this summer, compared to pre-solar panels. (Tip: there are tax incentives in the District that will reimburse you for half the cost of the panels. Do it!). So you could be living in this huge place and yet pay less in utilities than someone living in an efficiency. And look at it this way, if all the wackos are right, and the world really is ending in 2012, you'll have a huge edge in the postapocalyptic new world, what with your off-the-grid self-sustaining energy source. I'll agree right now to trade you three cans of beans and my firstborn for a ten-minute hot shower.

1937 12th St. NW #2
3 Bedrooms, 3 Baths
$1,369,000

New Tryst/Diner Project in Columbia Heights to Begin Construction Next Week

Constantine Stavropoulos says that he will begin full construction on his New Tryst/Diner Project in Columbia Heights next week, with all building permits now in hand. Located at Monroe and 11th Street, NW, along an eclectic strip of restaurants, the 7,000-s.f. diner/bar/coffee shop will eventually stand out as "a third place," according to Stavropoulos, but has become most notable to date for the prolonged petitioning of its existence by several neighbors. In February, in response to an outcry over the possible influx of boozy patrons to the site, Stavropoulos said, "My restaurants attract students, construction workers, freelancers...people are going to and from work all the time. We're not in an era of 9 to 5 anymore." 

While some have found reasons to protest the size, liquor licensing, and proposed 24/7 operation, others remain in support of these same things, hoping neighborhood vitality follows suit. Nestled within Madison Development's 4-floor, 28-unit condominium on open-house display tonight, the interior of the varied-offering concept is designed by Stavropoulos and his father George Stavropoulos, the architect behind Stavropoulos Associates. New to the Columbia Heights area, Stravropoulos' previous D.C. ventures have been in Adams Morgan (Tryst, Diner) and Woodley Park (Open City). Stavropoulos purchased the ground floor of 1020 Monroe Street from Madison early this year for $1.9 million. Madison bought the entire 1920s-era building in 2010 for $3.2 million. Originally hoping to be opening up for business around this time - to coincide with the completion of the building's condos - Stavropoulos is now aiming for early 2012. Stavropoulos also confirmed, "The working name is The New Tryst/Diner Project." There is no official name yet; the oft-referred-to " Margot's Chair" is only the name of the holding company, and there's still a chance that it could become "The Fishbowl." 

  Update 11/30: According to Stavropoulos, his father is not involved with the interior - like he was for Tryst, The Diner and Open City - but will be responsible for the restaurant's facade. The design of the interior is under the control of lead architect Michael Cross, of R. Michael Cross Design Group, and is being executed by Allen-Built Construction. "The Fishbowl" is not a name contender for the new concept, which is currently referred to as "The New Tryst/Diner Project," while the right name remains to be found. 

Washington D.C. retail and commercial real estate news

Disabled Veterans Memorial's Struggle Near its End

A 2.4-acre site next to the U.S. Capitol, home of the future American Veterans Disabled for Life Memorial, is about to see extensive prep work in advance of what its backers hope is an imminent start of construction. Located across from the U.S. Botanical Garden at 2nd and C Streets, SW, the site was selected due to its prime location just off the Mall and within view of Congress, but it's caused some headaches.

Conceptualized in 1997, the Memorial's Foundation, a non-profit formalized in 1998, first set out to raise $85 million in private funds through its Capital Campaign. Thirteen years later, and with approximately $10 million coming from over a million disabled veterans through the Disabled American Veterans association, the Foundation is only $250K shy of its goal.

Congress approved the memorial in 2000, and Michael Vergason Landscape Architects' creation "Fire in the Grove" won the Foundation's design competition to solicit architects, in 2001; architects Michael Vergason and Doug Hays then set about to hone the design. After 9/11, however, the section of C Street running through the memorial's site was seen as a dangerous truck-bomb route to the Rayburn building, and the design was reconfigured accordingly, and first presented to the necessary commissions in 2006.

In 2009, the Commission of Fine Arts approved the design, followed by the National Capital Planning Commission in 2010, and construction documents were given the final stamp of approval these past few months. Earlier this year, in April, a general contractor, Tompkins Builders Inc. - who rebuilt the Reflecting Pool and built the WWII Memorial - was selected, followed by a May announcement that sculptor Larry Kirkland had been commissioned to create four bronze pieces.

The Foundation expected to move on construction this summer, but, as project executive Barry Owenby explained in early August, there was a delay in obtaining construction permits from the National Park Service due to continued site-specific difficulties: five utility companies have facilities on and/or through the site that would have to be relocated. Furthermore, the project required additional federal funds in order to manage the necessary street closures and infrastructure improvements that accompanied the utilities relocation.

Yet, finally, the Memorial Foundation reports that "significant offsite work" has begun, including the purchase and fabrication of materials for the Memorial, including fountain pumps and piping, stainless steel, metals, electrical equipment, and granite (a significant chunk of costs): Bethel White for the Wall of Gratitude, Virginia Mist for the plaza paving, and St. John’s Black for the fountain and reflecting pool.

Architect Hays explained that, while the original idea was to use marble, the NPS requested a more durable material be used, and granite was selected.

"It's a unique design," said Hays.
"Sometimes [a design] can become watered down [through the approval process], but that's not the case here. I think it's actually become better."

Three glass walls will be made of "48 laminated, 5-ply panels of Starphire glass, with inscriptions and images embedded in the interior panes." This is the same glass used in the Apache helicopter and B-2 bomber.

A flame will flicker in the center of a star-shaped fountain at the heart of Memorial, and a grove of trees will surround the site, which will also offer a parking lot for the disabled.

Hays, responsible for overseeing the ongoing process of design and document approvals over the past five years, added that, "The design is to say thank you [to disabled vets], to educate the general public, and to serve as a reminder to Congress what the cost of war is." He noted that, although Michael Vergason Landscape Architects is the firm responsible for the memorial's design, Shalom Baranes became the architect of record last year.

The first (fully funded) phase of construction will be the rerouting of communication lines to and from the Capitol, and the second phase will include the realignment of C Street and relocation of utilities, after which construction of the actual memorial can begin. Although Owenby said in August "we are doing everything possible to shorten the Memorial’s construction time," the VFW reported recently that completion is likely to be in November of 2013.

The Memorial Foundation's co-founder, Lois Pope, a philanthropist and former actress/singer on Broadway, was inspired to create a memorial for disabled veterans after singing for Vietnam War vets in the '60s. Actor Gary Sinise, notable for his role as Lieutenant Dan in Forrest Gump, is the Memorial's official spokesman.

Washington D.C. real estate development news

Historic Dupont Mansion to be Sold at Auction

A historic, 128-year-old mansion, home of the Swann House Bed & Breakfast, located north of Dupont Circle at 1808 New Hampshire Ave, NW, and built in 1883, will be sold at auction next Friday.

The 3-story dwelling dangles crystal chandeliers, and is pocketed with 9 carved fireplaces, offering 12.5 bathrooms, and 12 guest rooms dressed-up in varied themed decor like the "Zen-inspired" "Shanghai'daway" in a dim section of the bottom floor, and the "Nantucket" room in breezy blue shades with seahorse-stamped wallpaper on the well-lit top floor.

The 5,405-s.f. lot, with 7,538-s.f. home - zoned for commercial use - was purchased in 2003 for $329,000, but the 2011 tax assessment pegs the value at $2.19 million; with property taxes over $36,000 this year. The property will be auctioned off by Tranzon Fox at the office of Ober | Kaler on H Street, NW.

Update 10/12: Per Tranzon Fox, the auction has been cancelled due to a bankruptcy filing.

Washington D.C. real estate development news

Corner of 7th and H Street to Become Less Noticeable

McCaffery and Douglas' joint development project at the corner of 7th and H Streets, NW - the heart of Chinatown - went before the Historic Preservation Review Board last week, with the Board approving the concept with a contingency - "that the one-story addition on 7th Street is pulled back sufficient to ensure that it won’t be visible from the street."

Disheartened will be those readers who felt that the building's design by Sacha Rosen of R2L: Architects - much smaller than a former one for the site - wasn't noticeable enough.

Washington D.C. real estate development news

Into the Woods

By Beth Herman

Around the time a charismatic John F. Kennedy captured the Democratic Party's nomination for president, a far less attractive mid-century modern house began its life on a suburban lot in Silver Spring, Md.

Fronting a quiet street and backing up to 200 feet of abundant trees and open space, and ultimately to Maryland National Capital Park, the emblematic 1960 flagstone structure was defined by small, dark rooms and limited access - from all but one of those rooms— to sprawling woodland vistas.

At 5,613 s.f., the house bifurcated into a typical split level on the left, with bedrooms above and a below grade walkout space with a den—subject perhaps to a future renovation. For the busy attorney/single mom homeowner, addressing a tired, period kitchen, breakfast room, powder room and laundry/utility space—and opening the home to embrace the backyard panorama—were paramount in creating the warm, modern, sunlit environment she desired.

“When we started talking, I believe she’d owned it about a year,” said Carri Beer, Brennan + Company Architects associate. “Most of the home was cut off from the view and had never been renovated.” The original kitchen’s pink laminate countertops, old cooktops and 1960s powder room yellow sink were prominent features. “We had to take it all apart and relocate things. It just didn’t function well,” Beer said.

Counterview

Approaching the renovation as a single space where occupants' views were directed to the back, the architects bumped out nearly four feet of kitchen space, expanding into what was a closed-off combination dining and living room (the only original space with the view), and going from 160 to 215 s.f. Though it wasn’t a huge increase, Beer said in addition to updates and aesthetics, the objective was to fit the space with a utilitarian island. A door was also added to the other side of the kitchen, opening to an angled driveway at the front of the house to facilitate unloading of groceries without having to traverse a large entry hall.

With an eye toward sustainability, usable old kitchen and powder room fixtures were donated for recycling by contractor Corcoran Builders. Desiring modern finishes, the kitchen was gilded with stainless steel appliances, with hard-surface base cabinets painted a durable matte acrylic. Upper cabinets were realized in cherry, with cherry featured abundantly throughout the 680 s.f. renovation in cabinetry, custom work, built-ins, shelving and flooring. Seeking a common palette, the cherry wood, along with manifestations of brown and green hues in different materials, gave cohesion to the various aspects of the redesigned space.

Also in the kitchen, a green tile backsplash is made of 100 percent recycled glass, and eco-friendly (recycled paper) PaperStone countertops lend a softness to the space, according to Beer. Kitchen flooring is a cork and recycled rubber composite tile, which is teased into the adjacent powder room.

A tea bag by any other name

Demolishing the wall and its three-foot opening between the kitchen and breakfast room made it one long open space, and new double wood and glass doors were also added to open the breakfast area to the former living room and dining room space—with their bank of sliding glass doors that access the view.

In the adjacent powder room, the green and brown palette is delivered in a custom blend tile from Modwalls, and cherry cabinets, built in open shelving, tiny stainless steel sink and an IceStone (recycled glass and concrete) countertop complete the design.

Defined by pink laminate counters and vinyl flooring, a nondescript mid-century laundry room got a modern facelift with mudroom flexibility—a custom bench, open shelving and sturdy hooks outfitting the space. Modern Abet Laminati countertops made from recycled tea bags (though the material has been more recently discontinued) were installed, and lower cabinets, though not acrylic in a cost-saving measure, were painted the same color as the kitchen bases for continuity. Upper cabinets were painted green to reflect the palette of the kitchen’s glass tile backsplash.

“The home’s entryway was pretty awful,” Beer recalled of the foyer, describing a dated white door and tired 1960s black and white vinyl tiles, which were replaced with cherry flooring. A new quadri-paneled patterned glass façade and door added elegance to the home’s exterior, and facilitates a view straight through to the back. A brand new curved foyer wall mimics an opposing wall that curves the other way. “It plays on curves that were already found in the house,” Beer said, including a new custom cherry ceiling piece that defines the area over the kitchen sink.

Revealing that the homeowner favored nothing about ‘60s décor, Beer said they prevailed upon her to retain a vintage dining room lighting fixture, and also fill a long period stone planter along the foyer floor with lush greenery. Appropriate ‘60s style pendant lighting and other retro fixtures were selected from options at YLighting.com.

“In the end we warmed up the home and made it more modern and functional,” Beer said, adding the homeowner had essentially handed them the reins and entrusted them with the redesign from soup to nuts. “Every project has its own set of challenges, but you don’t always get a client like that.”

Your Next Place

By Franklin Schneider

This house has as much personality as any I’ve seen in DC, and I’ve seen more than a few. If this house was a person, it would be like the love child of Ricky Gervais and Christopher Hitchens. Designed by award-winning architect Mark McInturff, and featured in magazines such as House Beautiful and Regardie's, this breathtaking home is all modern curves, unconventional angles, glass and white surfaces. It’s the sort of house Steve Jobs might design if you locked him in a room and made him watch “2001: A Space Odyssey” and “Miami Vice” for a week straight.

From the front, the house looks fine but somewhat conventional but the rear facade of the house looks like some sort of postmodern ziggurat (in a good way). Inside, the main room is a huge atrium-like space with a vaulted ceiling, fronted with a massive window and french doors. All the living spaces are ingeniously and uniquely laid out – the columned corridor leading from the foyer to the main room, the dining area with its view (through a sort of cutout panel) of the backyard, the large kitchen with its unique combination island/table. There are three fireplaces, a study with fantastic built-in bookshelves, and a wet bar. Outside is an excellent in-ground pool (I suppose all pools are sort of excellent), a striking gazebo and a large patio.

If this house has any flaw, it’s that it’s almost TOO nice. My high school girlfriend’s family lived in a house that was featured in design magazines all the time, and it was almost like the house owned them. I once accidentally put a hot saucepan down on their kitchen countertop and tears actually came to her mother’s eyes. As problems go, though, I guess having a really really nice house is a pretty good one to have. It beats Hepatitis C, that’s for sure.

5120 Van Ness St.

$1,850,000

5 Bedrooms, 4.5 Baths

Douglas' KFC Residential Approved by Zoning

This week, the Board of Zoning Adjustment waved forward Douglas' 4-story residential-and-retail project, designed by Sacha Rosen of R2L: Architects, to replace a chickenless KFC at 1442 Pennsylvania Avenue in Southeast.

Douglas was given an off-street parking requirement variance, and a special exception from roof structure requirements. The plan replaces Douglas' earlier proposal, in 2009, for a two-story office building on the corner.

Construction will most likely commence next spring. According to Douglas' construction manager, Paul Millstein, the project will begin construction "as soon as we can get permits out."

Half of the ground floor will be taken up by a 2,630-s.f. retail space fronting Pennsylvania Avenue, a bicycle room and lobby (accessible from 15th), whereas the other half will be 7 parking spaces (accessible from back alley). Above, there will be three floors with 7 apartment units each, 21 in all. A penthouse (to house mechanical units, and offer private terrace area to four residents) makes up a partial fifth floor structure. A green roof will cover the penthouse portion and the fourth floor - the main - roof, which will also be fringed with greenery.

On September 6th, ANC 6B's Planning, Zoning and Environmental Committee approved the project, followed by the full ANC, and the Capitol Hill Restoration Society.
: Article previously detailed the project as was approved in July, not September: changes since July include relocated vehicular access, cropped retail space, small design refinements, and a slight decrease in elevation.

Washington D.C. real estate development news

One at a Time for Furioso, Now Offices on 14th

Unlike many DC real estate developers, Giorgio Furioso, founder of Furioso Development, prides himself on being “boutique” and developing one project at a time. As such, the focus right now is solely on his new 14th Street mixed-use project “1525 Fourteen,” a build-to-suit that stands out among a slew of new development on 14th Street, NW, primarily because of what it’s not – a condo. “I’m going in the opposite direction of where everyone else is going,” says Furioso, “An office building has never been built [on 14th] north of Thomas Circle.” “You can’t have a really vital neighborhood without a 24/7 presence,” Furioso continues. “Part of how you [create neighborhood vitality] is through mixed use. That’s most of Europe, [and] why New York works so well.” 

In addition to bringing office use to 14th Street, Furioso says 1525 Fourteen stands out for what the 42,000-s.f. building aims to accomplish through an “extremely green attitude; if you’re not into green it’s not going to be your building.” Designed to achieve LEED Gold, the project includes a green roof, geothermal heating, solar panels, a charging station for hybrid cars, and a bicycle room with showers; 28 small-car parking spaces, accessible by a car elevator not a ramp, are included in two underground floors. With the design by Eric Colbert completed, approvals secured and financing in place, Furioso is now looking to fill the 6-story building, ideally with an environmentally minded non-profit for the top four floors, and a local retailer for the bottom two, preferably one not in the food industry. Considering the wealth of restaurants on, or coming to, 14th Street, Furioso explains, “I’ve been called by about ten restaurants, but I’m trying not to go there.” 

To understand the goals, logic, and business philosophy of Furioso, it’s useful to take a look back. “I come completely from an arts background,” says Furioso. “Art is all problem solving. You create a problem and then you try and figure out how to solve it. In a way, what’s kept development exciting for me is that I treat it like art. It’s not art… but the way I approach it is very much in an art solving shape and form.” After obtaining a bachelor’s degree from the Boston Museum school, Furioso chose Rochester Institute of Technology (RIT) over Yale for his MFA – not only because a full ride was offered, but because he was given the opportunity to teach (painting) while attending. There was only one problem: “RIT had built a brand new campus, and, I swear, it looked like a hospital,” says Furioso. “It was really, really disturbing.” Instead of inhabiting a sterile, boxy, mint-condition dorm room, Furioso chose to sprawl out in an abandoned and dilapidated building downtown that was owned by RIT. “I took over an entire floor. It was unlocked and I put in my own lock,” Furioso recalls. “By the time I graduated the whole grad school had moved into that old building.” 

Furioso says that his choice to live someplace with gritty urban character served as a creative impetus – “A space for an artist is like a tool; it’s no different than a pencil, a brush, a camera. Space is where so much of the creative spirit [is nurtured] … for poetry some people go to a landscape, a seascape, the woods. For visual artists that interior space is as much a tool [as the poet’s destination].” Another consequence of that move – to wander away from the white-walled dorms – was a fascination with development. “It started me on this quest of changing, fixing, and making spaces your own,” he says. After graduation, Furioso took on teaching full-time and came to the D.C. area as a visiting professor at the University of Maryland, but “couldn’t find an art studio to save my life,” he explains. Although art studio space seemed sparse, in the early ‘80s, school buildings were in spades, and the District was selling them at auction. These sidelined schools, making for unique and expansive residential and/or personal work spaces, offered Furioso and others an opportunity, in Eckington. “I bought a school with some other friends who were artists… four of us bought the whole school.” At once, Furioso settled into a studio space and waded into the world of D.C. development. Another foreclosure, this time a building at the 400 block of M Street, NW, led to a more significant investment for Furioso, but also a financial challenge, “It had already been foreclosed twice before,” recalls Furioso. “The bank was really in bad shape.” 

To get around a dearth of financing, Furioso set his creative mind to legal matters and created a corporation in which the buildings space would be represented by stock. Gathering $10,000 from each of eight artists interested in obtaining a space within the building, Furioso put the up-front funds into fixes and repairs: “I fixed the roof that was collapsing before I even owned it. The bank thought I was totally nuts.” But, it worked: Furioso bought the building for $76,000, and the artists each paid $25,000 for raw space – $200,000 in all. The property was rehabbed, completely redone over a 10-year period, and the value has since skyrocketed. “The spaces were really big; truly [New York-style] lofts, before lofts sort of hit the mainstream,” says Furioso. Though impossible to sell as “stock represented property,” the building eventually turned into a condominium and became what it is today – The Mohawk. 

Shortly after, in 1987, Furioso committed fully to development, incorporating his company with the goal “to develop artist spaces,” amidst some skepticism about throwing money into a business model that catered to the iconic starving artist types. Despite doubts, the company grew quickly, but was immediately parsed back because, as Furioso explains, “My intention was always to be a boutique developer doing really interesting things, one at a time. And no one really gets it…. I never wanted to get really big, or have a huge staff. I have a business philosophy that is so anti-American,” he laughs. An Italian national, Furioso was uprooted by his parents, first to Montreal then to the states, landing in New York at the age of twelve. His Italian heritage colors not only his approach to venture capitalism, but historic preservation (historic has a different meaning – “In Italy the 'new church' is 600 years old!”) and underscores his belief that 1525 Fourteen will succeed by offering 24/7 neighborhood vitality, something he considers somewhat European. Of his current project at 1525, Furioso’s excitement comes through, “We’re looking for a special, really great tenant,” says Furioso. “Once we do that, we’ll put a shovel into the ground and get started.” He’ll also stay connected to the building once it’s finished – “I’ll be doing a business in the cellar, my own personal business.” Furioso continues pointing out aspects of the design: “The lobby is like a little jewel box. We’re not building this cathedral… because the energy from it is kind of wasted, but it’ll be really beautiful,” and adds that he can provide “a beautiful grand stairway so that the two floors [for one retailer] feel connected,” while scrolling through photo examples of the Crate & Barrel on Massachusetts Avenue. 

Furioso maintains involvement with the design and the development every step of the way, crediting his innate fascination with all of it, “The question before I start a development is: does this interest me? Will I lose any money? If I don’t lose any money I don’t care if I make ten cents as long as it’s interesting.” But he hasn’t; with several successful developments, among them: The Mohawk, his initial artist loft foray; Church Place, a modern 32-unit condo; The Roosevelt, a historic preservation project; and Solo Piazza, which was, when built in 1999, "the first large, new residential building on 13th Street [NW] and just about the whole District,” says Furioso. Furioso’s success in development can perhaps be attributed to his attitude, problem-solving approach and hands-on nature, but whittled down even further to a simple penchant for risk-taking, the first of which dates back 30 years, when he deserted a position as the head of Ohio University’s art department. “I gave up my tenure and came here. My mother until the day she died was saying ‘I can’t believe you gave up tenure.’ I gave up security. Security’s never been a big thing for me.” 

Washington D.C. commercial real estate news

Lighting the Way into Crystal City

According to its president and CEO Angela Fox, the Crystal City BID focuses on the "ins and outs of Crystal City" - literally. The BID currently has two projects in the pipeline to revamp primary "gateways" into, and out of, Crystal City. One of those projects is the effort to beautify and "light" the southern vehicle entrance at the intersection of Route 1 and Crystal Drive, which will begin its 6-to-8-week-long period of construction, by Rand, next Monday, October 3rd. The ground breaking ceremony will be supplemented by some detailed renderings of what will be responsible for lighting the project, which Fox described as, "Sixteen LED poles, lit two-thirds of the way up... the poles will follow diagonal [pea gravel] paths through the property" as well as "continue up the façade of the building on site." Although paths are walker accessible, the area is not meant to be a public park. Along with LED poles and pea gravel paths, the 30,000-s.f. parcel will be clad in new turf, and planted with 28 trees. The project was planned and approved almost two years ago, however the land was being used by the county in the interim. When finished, there will be "a lovely gateway experience" said Fox, creating "the aesthetic awareness that you are entering Crystal City." Of the design, Fox said, "It was a very creative process; Gensler held a sort of seminar with their young architects, a design competition over the course of several hours." A few of the resulting designs were then refined into one formal design. Fox added that the goal of the BID has been to "re-brand Crystal City [using] light and illumination" with artistic efforts that exemplify the properties of crystal. The other gateway project currently underway by the BID is the improvement of the Crystal City Metro entrance, a partnership with Vornado that is in the final stage of the permitting process. These two efforts, together with the redevelopment of Long Bridge park at the northern entrance to the city, will offer "three new sparkling entrances," Fox said. "By the end of the year." 

Arlington Virginia real estate development news

Braddock Gateway Residential Plan Gets Initial Approval

Alexandria-based Jaguar Development has received preliminary site plan approval for the first phase in its 5-phase Braddock Gateway development, paving the way for a 270-unit, 277,000-s.f. apartment building.

Jaguar managing partner, Eddy Cettina, says that the next step, final site plan approval, will take place within the next 9 months to a year.

Although the entire Braddock Gateway development plan was approved in 2008, its developer laid low through the recession, and approached the City with amendments to Phase I in July. Preliminary approval of these amendments was granted by City Council on September 17th.

Phase I's acre-sized parcel is at the southernmost end of the development property, located 1000 feet from the Braddock Metro station.

Jaguar chose to lead with rental apartments on the site because "[i]t is the closet [building] to the metro, and will cater to renters who want easy transit access."

As a transit oriented development, the first phase will also include the construction (by Jaguar) of a "high capacity" bus/transit stop along First Street, just east of Payne Street, with a covered waiting area and LED touchscreen offering rider info.

Designed by Rust | Orling Architecture, the residential-and-retail building will vary in height from 50' to 150' - from 6 to 15 stories - with the tallest section being the central tower (the focus), which is flanked by "two lower shoulders," the eastern 6-story wing with pool deck, and the western 13-story wing.

During design revisions, the western wing was taken down by two stories in order to further stagger height overall, emphasize the "shoulder" appearance of the building, and better relate the design to that of the entire development, according to the city. The staff report, recommending preliminary approval of Phase I, stated the importance of the design review, "Given the site's strategic location... and the pronounced vertical nature... the 2008 development review process placed considerable importance on the quality of the architecture, as the site truly serves as a gateway into the historic portion of the City."

The first completed building in the development will be surrounded by 14'-wide sidewalks, featuring decorative brick and dotted with trees; pedestrian oriented street frontage will be built along Fayette Street. Open space included in the development will total 14,000 s.f., consisting of a 6,000-s.f. central green on the ground floor and a 8,000-s.f. roof top area. Two levels of underground parking will offer 243 parking spaces, with another 26 spaces located on a surface lot off of Fayette.

As for the rest of the 5-building development, "[w]e are concentrating on phase one right now," said Cettina, although she did confirm that the plan for the entire 7-acre development site has not been changed; the plan is for 770,000 s.f. of new development that includes 630 residential units, 70,000 s.f. of office and 15,000 s.f. of retail.

Patricia Escher, principal planner with the City Dept. of Planning and Zoning, offered that the development a considerable improvement to the site, currently holding two vacant warehouses and a surface parking lot. "The entire five phased development of Braddock Gateway will improve an underutilized portion of the City." The project, to be LEED certified, will also conform to Alexandria's green standards.

Escher added that "the first phase will be providing a combined total of $1.6 million to the City’s affordable housing fund, the neighborhood’s streetscape fund and [include] improvements to a local park."

Alexandria, Virginia real estate development news

Beauty and the Bach

By Beth Herman

An estimated 50,000 of them pepper New Zealand's pristine cliffs and shores, historically cobbled from fibrolite (asbestos sheets), corrugated iron, old timber or even recycled trams, and devoid of electricity and running water. Since the mid-20^th Century, and though most have received modern updates with some even evolving into multimillion dollar escapes, the Kiwi bach (pron. "batch") - a kind of eclectic vacation bungalow - has been the go-to domicile for thousands of New Zealanders seeking solace from the daily grind, usually with family, extended family and good friends in tow.

For the 2011 U.S. Department of Energy’s Solar Decathlon’s Team New Zealand, reimagining the bach in a sustainable light occurred to a core of four Victoria University of Wellington School of Architecture students a couple of years ago, according to team spokesperson Nick Officer. The concept of competition was nary a glint in their eyes, however.

“It was just a project for us, but the university really liked it and pushed us to submit a proposal,” Officer said of their subsequent entry into the Decathlon, where students are charged with creating and manipulating an affordable (under $250,000) net zero energy house. “From there it just snowballed,” he affirmed, noting New Zealand is the first entry from the Southern Hemisphere in the event’s history.

With construction commencing in February and ending in May, and following an 18-day open house that hosted 20,000 visitors in Wellington, “First Light”—aptly named for the country that receives the planet’s first rays of daylight— began its painstaking 30-day crossing to the United States. Transiting the Panama Canal, and on to Philadelphia, the house arrived in D.C. by truck – in six containers. Reassembled at the National Mall in just under seven days by 26 dedicated though sleep-deprived students (the trip from New Zealand took 30 hours with a Los Angeles stopover), Team New Zealand competes against 19 other teams in 10 categories, including architecture, market appeal and engineering, in pursuit of solar gold (first place).

Outside In

Favoring an indoor/outdoor motif, Officer said New Zealanders are very passionate about their landscape and environment, in this case teasing them all the way through the 800 s.f. house. Sustainable decking runs both outdoors and indoors, with large, triple-glazed windows and a mammoth skylight exposing occupants to open sky. Bi-folding doors on both sides of the house open its interior to air and light, and a striking, shade-producing timber canopy above the house’s waterproof membrane provides independent support for a six kilowatt solar array containing 28 polycrystalline photovoltaic panels and 40 evacuated tube solar collectors. An interactive energy system monitors and displays the house’s output vis-à-vis weather conditions.

With “First Light” created as a year round residence, as opposed to a traditional Kiwi bach used in summer, concrete slab flooring beneath the space’s largest windows passively absorbs and stores the heat of day, retaining it for comfort in cooler months. A reverse-cycle heat pump affords energy-sensitive heating and cooling,

“We’ve got a foot of sheep’s wool in between the walls,” Officer said in reference to the space’s native resource-type insulation, giving it an R-value of 6, “almost like wrapping the house in a wooly blanket.”

Employing “sustainable, renewable, elemental materials,” Officer cited the use of timber that includes native New Zealand Rimu garnered from an old sheep shearing shed, Western Red Cedar for the exterior—a detachable cladding system was developed by the team, and sustainably-sourced Pinus radiata—a species of pine—used for structural elements and interior linings.

Innovations such as a clothes drying cupboard, where solar-heated water is propelled through rails and a fan accelerates drying, and multifunctional rooms with custom, adaptable furniture—including bunk beds and a sofa bed—plus a master bedroom, help ensure family and guests are not left behind or are without conveniences. “It’s about a lot of people able to be in one space, enjoying each other’s company,” Officer said of the historical Kiwi bach concept. Following the Decathlon, "First Light" will travel back to New Zealand where it is slated to become a private home.

Graduating this December with a master’s degree in architecture, Officer indicated it’s been a busy year and he’s not had time to give much thought to where he’ll practice his craft. “I’ll go anywhere in the world to work on sustainable projects,” he said.

photos courtesy of Kelly Matlock and Team New Zealand