Q and A with Suman Sorg
by Beth Herman
Seeking to venerate but modernize Washington D.C.'s classic row house archetype, and drawing from the surrounding urban U Street corridor neighborhood,
Suman Sorg of
Sorg Architects created the 19-unit Visio and Murano, 2109 10th Street NW. Studying historic preservation at Cornell University, though a modernist at heart, Sorg's work is often a confluence of the two, with compatibility a word she uses to define her efforts in the contextual realm. The Visio and Murano has won six awards, including two AIA awards for Architectural Excellence and one for Washington Residential Design.
DCMud spoke with Sorg about the project.
DCMud: What was the design impetus behind the Visio and Murano?
Sorg: The idea was to build so-called stick buildings that are not steel or concrete but wood, and to redefine the concept of infill row housing. When we built the Visio, we used mezzanines -- or internal stairs -- in each apartment so you could get extra space and still build a building out of wood frame, though the exterior is brick and glass.We had really tall ceilings -- 11 to 18 feet high -- each one has a double-height living room. We used English basements to create extra square footage at street level.
DCMud: How did the neighborhood's vernacular manifest in the design?
Sorg: We wanted to make these buildings compatible with the adjacent church. There's an alley between the church and Visio and Murano, but they almost form a street line. My idea was to look at what's important in the church, which is a turret, and how to add that kind of verticality to the facade of Visio. I wanted to work with the church's material which is red brick -- traditional Washington. We used that but in a modern application. I was also thinking about the industrial character of the area. You look at the Visio's front stair through bent steel - almost sculpture, and then the windows have steel mullions. The brick is sharply cut; it's not antiqued at all. These are some industrial features in the design.
DCMud: In what ways does the design emulate more doctrinal area architecture?
Sorg: In D.C. we have what's called the traditional bay house which allows you to project into public space by four feet. I was interested in incorporating that concept, but in a modern way. I wanted a modern vocabulary -- one that's Washington's own vocabulary rather than an imported one -- as well as taking advantage of what zoning allowed so we could have maximum square footage inside.
DCMud: Can you elaborate on the concept of imported, or as some have called it borrowed, architecture?
Sorg: I believe we've been importing architecture from Europe since the very beginning, and lately importing architects themselves. Washington's own architecture can develop in its neighborhoods rather than downtown where there's more commission scrutiny. We should look at what's traditional to D.C. and then reinterpret it.
DCMud: There is a prodigious use of glass in these buildings, and they are not towers, so with that how was privacy executed in the Visio and Murano?
Sorg: There's a general trend right now -- a shift from post modern to modern. Because the shift was so quick, people went back to early modernism -- the 20s and 30s. In residential architecture, however, people don't want to live in a glass box. They do want a sense of privacy and warmth.
When there are large amounts of glass in residential architecture, proportion is important. Again people don't want to live in glass boxes, so we broke it into smaller panes. We used zero sightline windows so the ones that do open don't look different from the rest of the glass. We also set the glass back behind balconies for shade. Hardwoods were used in the interior, including wood stairs. We followed LEED Silver requirements and used some natural materials, low-E windows and Energy Star appliances, though did not pursue certification.
DCMud: You work extensively internationally, as well as in D.C. Does the Visio and Murano reflect anything you have done before?
Sorg: I did a similar housing project in Kuwait in 2005. Following the war, the U.S. was given a piece of property by the king on which to build a new embassy. We did the housing in the embassy compound. It's somewhat the same in its proportion and materials, including glass and shading.
I've also been working in historic neighborhoods for a long time. The Visio and Murano are the evolution of townhouses that we did in Georgetown and particularly in Ledroit Park, south of Howard University, where we built 14 brand new infill townhouses. While you couldn't tell them apart from other historic townhouses in the neighborhood, it taught me about proportion and management of materials in these historic buildings. It became a foundation for the Visio and Murano's modern interpretation.
DCMud: Speaking of interpretation, is there a place in the District that calls to you?
Sorg: I like buildings that are unassuming -- beautiful, quiet buildings or spaces where, when you walk or bike around the city, they do not scream for your attention. One of these is the Decatur Terrace Steps and Fountain (sometimes referred to as D.C.'s Spanish Steps) between 22nd Street and Decatur Place. The large trees that surround it make for a perpetually shaded resting spot to listen to the bubbling fountain and enjoy a respite from the busy city.
Trilogy apartments opened last week, and though the neighborhood's location is more contested than the Spratly Islands (either NoMa or Eckington, you pick), the first building is now open - and soon all 3 buildings and 603 apartments will be complete. Designed by the Preston Partnership and developed by Mill Creek Residential Trust, the project broke ground in March of 2011. Below are pictures of the completed portions of the building.
Q and A with Griz Dwight and James Lafley 
Delivering a fully redesigned, rejuvenated restaurant in three weeks' time, architect Griz Dwight of GrizForm Design and Superintendent and Senior Project Manager James Lafley of Potomac Construction Services raced to reopen the outmoded Firefly, 1310 New Hampshire Avenue NW, located inside the Hotel Madera. Frequented by tourists and locals who covet the venue's famed pumpkin hummus, and steamed blue bay mussels, expanding the now 62-seat dining space and adding 8 more bar and lounge seats was at the top of the menu. DCMud spoke with Dwight and Lafley about the project.
Dwight: Acousti-Coat is a NASA-invented paint with ceramic modules inside the paint to dull sound. We also clad an entire dining room wall with leather-wrapped sound panels. The leather has that warmth and outdoorsy feel and absorbs 100 percent of the sound that hits it. We also took tree flaps - giant slices of naturally fallen trees - and made a dividing screen between the bar and dining room. So the bar can have that happy hour where people get a little bit louder, but the sound isn't going right to the dining room.
Lafley: California wood slabs were installed behind the hostess
stand and between the two dining rooms, suspended on rebar, to give you
the feeling of being outdoors. The outdated carpeting was replaced with
engineered wood flooring that matches Brazilian cherry. Stone Source
Trend Q tiles, which are recycled and in this case have a greenish cast, tops the new bar and really
dresses it up. Slate flanks the side of the bar and runs around the base
of the kitchen "cottage," as well as the entrance foyer. We installed glass walls that open up to the outside. In warm weather, the restaurant can be exposed to the street and patio out front.
Giorgio Furioso plans to begin construction on his 14th Street office project on December 10th, the developer announced this morning. The 42,000 s.f. office building will take the place of the empty lot at 1525 14th Street, NW, wrapped around the adjacent building Furioso already owns that holds Posto. 
NoMa may be rapidly becoming a gleaming playground for the city’s young professionals, but some of its lower-income neighbors are about to get an upgrade, too. Tyler House, a 284-unit subsidized apartment building located at the southwest intersection of New York Avenue and North Capitol Street, will soon be undergoing a $25 million top-to-bottom renovation. 
10 Questions is a weekly feature in which we interview some of the leading District figures in real estate, architecture, development, and planning. This week's subject ... Deborah Ratner Salzberg, President of Forest City Washington, Inc.
4. What is your biggest DC pet peeve?
9. If you couldn't be a developer, what would you be?
One of the few true industrial buildings in DC, the Wonder Bread building in Shaw has long captured would-be architects' and developers' interest. After the attractive but decrepit building sat vacant for years, Douglas Development put the structure through a nomination to be included in the D.C. Inventory of Historic Sites in August of last year.
The first of the three buildings - Cirq, Linq, and Esqe - is now open, with the other two opening within the next few months. Designed by developer Mill Creek Residential Trust to appeal to nearly any taste and architectural preference, each of the three buildings sports several motifs, a "highly differentiated architectural style," say its developers, that will span the centuries, architecturally speaking, with "traditional and contemporary" in Cirq, "warehouse, contemporary and art deco" in Linq, and finishing with the "highly contemporary" Esqe when it completes in March.
The project broke ground in March of 2011, but has been in the works far longer, at least since the team of CSX (as owner) and Fairfield Residential (as developer) plotted a 2006 groundbreaking for the residences. The torch then passed to Trammell Crow Residential, and finally to the current team, who can finally spike the ball at tomorrow's ceremony. Mill Creek is also working on an even larger project at the Dunn Loring Metro station.
The District had previously issued general guidelines for what the site could look like, with office, residential and commercial taking the place of the hospital now on site, with the hospital moving to the back of the current site. The RFEI notes that the land is "especially ripe for complementary residential and retail development," and that the area presents an opportunity for "underserved" retail and "the next office submarket," and that historic preservation will also be a key element of consideration. The District intends to make final selection of the development team by next summer.
Seeking to venerate but modernize Washington D.C.'s classic row house archetype, and drawing from the surrounding urban U Street corridor neighborhood, Suman Sorg of Sorg Architects created the 19-unit Visio and Murano, 2109 10th Street NW. Studying historic preservation at Cornell University, though a modernist at heart, Sorg's work is often a confluence of the two, with compatibility a word she uses to define her efforts in the contextual realm. The Visio and Murano has won six awards, including two AIA awards for Architectural Excellence and one for Washington Residential Design. DCMud spoke with Sorg about the project.
DCMud: Can you elaborate on the concept of imported, or as some have called it borrowed, architecture?
I've also been working in historic neighborhoods for a long time. The Visio and Murano are the evolution of townhouses that we did in Georgetown and particularly in Ledroit Park, south of Howard University, where we built 14 brand new infill townhouses. While you couldn't tell them apart from other historic townhouses in the neighborhood, it taught me about proportion and management of materials in these historic buildings. It became a foundation for the Visio and Murano's modern interpretation.
